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Alfred Sisley Flublandschaft bei Moret sur Loing oil painting


Flublandschaft bei Moret sur Loing
Painting ID::  76500
Alfred Sisley
Flublandschaft bei Moret sur Loing
English: c. 1890 Medium Oil on canvas Dimensions Deutsch: 39 ?? 55,5 cm cyf

   
   
     

Alfred Sisley Rast am Flubufer oil painting


Rast am Flubufer
Painting ID::  76544
Alfred Sisley
Rast am Flubufer
Date 1872 Medium Oil on canvas Dimensions Deutsch: 73 ?? 81 cm cyf

   
   
     

Alfred Sisley Trauben und Nusse oil painting


Trauben und Nusse
Painting ID::  76580
Alfred Sisley
Trauben und Nusse
ca. 1880(1880) Medium Oil on canvas Dimensions 38 ?? 55.5 cm (15 ?? 21.9 in) cyf

   
   
     

Alfred Sisley Kirche von Moret oil painting


Kirche von Moret
Painting ID::  76762
Alfred Sisley
Kirche von Moret
Date 1893 Medium Oil on canvas Dimensions Deutsch: 83 ?? 64 cm cyf

   
   
     

Alfred Sisley Themse bei Hampton Court oil painting


Themse bei Hampton Court
Painting ID::  76800
Alfred Sisley
Themse bei Hampton Court
Date 1874 Medium Oil on canvas Dimensions 38 ?? 55.4 cm (15 ?? 21.8 in) cyf

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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